𝘾𝘼𝙈𝙄𝙇𝙇𝙀 𝙇𝙀𝙈𝙊𝙉𝙉𝙄𝙀𝙍 


SCÉNOGRAPHIES




Actualités 


O RISO E A FACA Sélection Un Certain Regard
Sortie le 9/07/2025

L’Oeil Noir
(court-métrage)

Yohanne Lamoulère/Les Films du Bal

_______

Théâtre


Battaglia
Emile Saar

Pépin
Demesten Titip
C’EST PAS PARCE QU’ON À RIEN A DIRE QU’IL FAUT FERMER SA GUEULE
Les Estivants
Thurayya
Tamara Saade, Compagnie Nawma

Tableaux pour une pièce chorégraphique
Le Sel 
Demesten Titip
La Saga de Molière
Compagnie Les Estivants

La Grande Suite

Compagnie 359 degrés

SIMPLE AS ABC #3 :
THE WILD HUNT

Thomas Bellinck

Turreon

Compagnie Nawma , Tamara Saade

FEU !

Compagnie Les Estivants, Johana Giacardi

1001 ventres

Compagnie Nawma, Tamara Saade

Dérives

Florine Montagnier

L’Entre-deux

Pauline Goerger
Tentatives de fugue (Et la joie?... Que faire?)
En Devenir

Never dead, not alive

Laura Ughetto

L’enfant-colère

Sophie Maillard

Cinéma


Amanha sera outro dia

Pedro Pinho 

500 grammes de haché

Valentina Maurel


Recherches, Installations et Performances

Recherches-Paysages/
Notes sur la mélodie des choses


Négociations et pliages entre espaces disparates pour former un ensemble fragile mais rassembleur

CHILD OF THE WORLD

Mesures

Danse


Between the inseparable


Muséographie


Nass Belgica


Dessins divers


Photographies

Lignes repères




Information
Instagram



SIMPLE AS ABC #3 : THE WILD HUNT
Création 2019, Onassis Cultural Center Athènes 
Kunsten Festival des Arts 2019
Scénographie et Costume

A cloud of voices gathers in an imaginary museum. Their bodies are held up elsewhere, but here absent storytellers recount histories of hunting. Some of these voices are heard. Many are not. All are experts of a certain reality. Theatre-makers, journalists, politicians, law enforcement: we are all on the hunt for something. Sometimes it’s people. During this actorless audio performance, you will hear snippets of Arabic, English, Farsi, French and Greek collected from around the Mediterranean. Sampling from hours of recordings, 'The Wild Hunt' pieces together a many-voiced portrait of today’s human-hunt.


TEXT Said Reza Hosseini Adib, Samaneh Arian, Aristotle, Ghassen Ayari, Thomas Bellinck, Rihab Chaabane, Farouk El Ouerghi, Karima Ganji, Parisa Heidari, Chamseddine Marzoug, Mounir, Fatemeh Mousavi, Mohammad Javad Mousavi, Racist Violence Recording Network, Marwen Sammoud, Ervin Shehu, Yiouli Vitou, Ghazi Weld El Ka, Abir Zarrouki

DIRECTING Thomas Bellinck

PERFORMANCE Said Reza Hosseini Adib, Ghassen Ayari, Farouk El Ouerghi, Parisa Heidari, Chamseddine Marzoug, Mounir, Mohammad Javad Mousavi, Ervin Shehu, Yiouli Vitou, Ghazi Weld El Ka, Abir Zarrouki et al.

DRAMATURGY Esther Severi

ARTISTIC COLLABORATOR Jeroen Van der Ven

SCENOGRAPHY Camille Lemonnier

LIGHTING DESIGN Lucas Van Haesbroeck

TECHNICAL DIRECTOR Arthur de Vuyst

STAGECRAFT Marie Vandecasteele

PRODUCTION MANAGEMENT Celine van der Poel

PRODUCTION Yalena Kleidara, Sandra Oklobdzija, Francesca Pinder, Aisha Zaied

RESEARCH & PRODUCTION ASSISTANCE Hayfa Ghozzi, Pafsanias Karathanasis, Bilel Melki, Amal Rouissi, Georgia Spyropoulou, Laurien Versmissen

INTERPRETING Said Reza Hosseini Adib, Hayfa Ghozzi, Rym Haddad, Pafsanias Karathanasis, Amal Rouissi, Georgia Spyropoulou, Aisha Zaied

TRANSLATION Farbod Fathinejad, Yalena Kleidara

TRANSCRIPTION Farideh Ghalandari, Yalena Kleidara

PRODUCTION ROBIN vzw & Fast Forward Festival / Onassis Cultural Centre (Athens)

CO-PRODUCTION Dream City / L’Art Rue (Tunis), Kaaitheater, Kunstenfestivaldesarts (Brussels)

WITH THE SUPPORT OF De Grote Post (Ostend), KASK / School of Arts of University College Ghent, LabexMed / Maison Méditerranéenne des Sciences de l'Homme (Marseille), The Flemish Government and The Flemish Community of Brussels

CONCEPT INSPIRED BY Grégoire Chamayou’s ‘Manhunts: A Philosophical History’